Hello

WE ARE AUTONOMATIC

We are design practitioners with skills and experience in designing in ceramics, metals, glass, plaster, plastics, amongst other media. As creative researchers we have a basic urge to invent new ways of making things, to ask “what if?”, “so what?” and “what next?”. Through our open and exploratory approach to using digital technologies we hope to inspire others to approach these technologies with a creative mindset.

Our research builds and reflects upon the revolution in digital manufacturing which is gaining pace through new business models and production systems that can be aligned with the flexibility and individuality of the craft workshop. Our open and experimental approach to the use of digital technologies, often in conjunction with traditional tools and methods, is central to the innovation we achieve in both process and product.

Since we set out in 2003 we have grown our membership. Our internationally recognised research activities continue to grow through a focus on questions concerning ‘making’ in 21st century contexts.  Our team consists of practitioner-researchers working on projects that carry our pre-occupations with innovation in processes and products into wider contexts of economic, cultural and environmental sustainability. Our projects now involve us in partnerships with programmers, cultural geographers, bio-scientists, journalists, social scientists, technology developers, museum curators, as well as with other craftspeople, designers and artists.

Cornwall provides the backdrop for our research and as a region of beauty, relative isolation and a history of artistic endeavour, presents great challenges and opportunities for developing new ways of designing and making that exploit the creative potential and connectivity of digital technologies.

Autonomatic work locally, nationally and internationally on live projects, disseminating their research through exhibitions, practical demonstrations and fora. Check out the AIR website for further details about individual projects, presentations and papers and contact us if you want to know more:

Contact us

Contact - Autonomatic

We are always keen to hear from people working on similar themes, and to develop collaborative projects with individuals, organisations, research groups or industrial partners. Contact us at info@autonomatic.org.uk. If you prefer land, air, sea or telephone communication try:

Autonomatic
3D Digital Production Research
Design Centre
University College Falmouth
Tremough
Penryn
Cornwall
TR10 9EZ
UK

+44 (0)1326 370497

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Projects

This innovative design and journalism research project sought to develop and test a new method for community-led innovation. This multi-partner collaboration between a community in Preston and journalism and design researchers explored how a new method of 'Insight Journalism' could be used for social innovation, engagement and as a resource to drive a design process which seeks to make bespoke responses to the issues and concerns identified through the journalistic process.
 

Based in Falmouth, Pendennis is one of the world's leading custom super yacht builders and refit facilities. Until very recently Pendennis used no computer controlled production equipment and only 2D CAD within their carpentry workshop. Through previous contact with Autonomatic, they expressed an interest in finding out more about the creative potentials of this family of technologies. This KESW funded project provided an opportunity for individuals working at Pendennis Super Yachts to broaden their knowledge of digital production through presentations and demonstrations by Justin Marshall undertaken within the facilities at UCF.

This short knowledge exchange project undertaken in the later part of 2011 resulted in a series of CNC milled tests associated with low relief text and a completed name plates used for the Dona Amelia, one of Pendennis’ recent refit projects. In addition Justin investigated the possibility of bespoke interior decoration and functional draw furniture resulting in the production of a series of tests based on digitally scanning local shells and reproducing them in both 2.5D and full 3D CNC milled hardwood. 

The overarching outcome of the project is the recognition of the creative potential of using digital tools. Specifically adding a number of digitally enabled design and production processes to Pendennis’ repoitore and broadening their offer to clients.
The Porthcurno Telegraph museum has a unique historic provenance: this is where telegraph cables that linked Britain with its Empire and other nations came ashore. The valley was the hub of international cable communications from 1870-1970 and also training college for the communications industry until 1993. 

Our Project   Jason Cleverly, Justin Marshall & Tim Shear

The museum holds a significant collection of equipment and machinery centred on the history, production and deployment of marine telegraphy. Visitors to museum encounter these objects and navigate through a series of displays and live exhibits.

From spending time in this rich and thought-provoking environment we began to consider the value of prototyping an interpretive interactive device with which to engage visitors with the concept of marine telegraphy, the vast distances involved and associated narratives. We focused on digital technologies combined with physical representations of ocean topology to support this concept and provide the basis for further more robust iterations.

Specifically the research prototypes a flexible system that uses a computer-controlled camera traversing a digitally manufactured physical model of the underwater seascape between Porthcurno and the continents that the cables connect to. Alongside the aim of make physically manifest the dramatic topology which the cable sit upon, this analogue interface is also used as a trigger for releasing existing historical and factual information the museum holds, via the use of QR tags.

Our Rationale

The development of a prototype interpretive device offers the potential for enhancement and extension to a museum visit, increasing versatility and impact for a range of visitors and environments, and supporting novel responses to interpretive design. It's versatility and uniqueness can be seen as contributing to the potential for increasing visitor numbers to the museum.

The basic structure and configuration of our interpretive device will form an adaptable template that may be deployed in similar contexts, for example the Royal Cornwall Museum’s collection of Minerals in the Rashliegh Gallery. Truro.

Dr Katie Bunnell, Tavs Jorgensen, Dr Justin Marshall

The Autonomatic team has used various bits of CNC kit to produce drawings in a variety of media combining CAD data with the subtleties of traditional mark making tools such as graphite and charcoal to produce drawings with visual complexity, richness and depth.
Unknown Object

The question this sandpit explored was:

What are the potential economic, creative, productive and community benefits to Cornwall of creating a flexible digital design and production unit open to all?

 

Within this broad question there will be a focus on two principal themes which will frame the timetable of the day;

Reflecting on drawing in a digital age

Has drawing changed in an age of digital technology? Debate around the value of drawing has gained impetus as creatives, including artists, designers and makers are increasingly exploring the potential of and are influenced by the burgeoning creative opportunities that digital technologies offer.

Originally trained as a craft potter, Tavs Jorgensen, through his more recent engagement with digital design and production technologies, has discovered that the notion of ‘drawing’ is now a much more significant issue in his practice.

The exhibition charts Jorgensen’s investigations into ways of transferring the aesthetic qualities of drawing and making by hand into a new digital context.

Dr Katie Bunnell is a co-investigtaor with Design Historian, Dr Fiona Hackney and Dr Nicola Thomas from University of Exeter’s Geography department, in a £40,000 AHRC networking project entitled, ‘Connecting Craft and Communities’.

The project aims to create a unique network of craft and design historians, practitioner-researchers, cultural geographers, creative industries theorists, policy makers, creative consultants, institutions and craft practitioners in order to stimulate collaboration that interconnects existing research on craft communities from different disciplinary fields with contemporary crafts practice. The network explores the intersections between craft and community, including communities of practice and their role in broader society in the promotion of cultural vibrancy, cohesiveness, economic regeneration and social wellbeing.

News

Tuesday, May 8, 2012 - 15:05
Hello,
5 members of UCF’s Autonomatic Research Group, Drummond Masterton, Gary Allson, Ismini Samanidou, Katie Bunnell and Tavs Jorgensen are exhibiting with The Wills Lane Gallery at Collect, 2012. This prestigious fair for Contemporary Craft, now in its fourth year at the Saatchi Gallery, London, presents 31 of the world’s finest international galleries representing exceptional work of museum quality from their portfolio of artists.

11-14th May 2012
www.collect2012.org.uk
http://www.willslanegallery.co.uk/

Check us out at the Wills Lane Gallery Stand 1.3


Monday, October 10, 2011 - 09:45
Justin Marshall in showing some work and new digital drawings based on his Automake project in 'Momentum'. This exhibition of work by artists engaging with digital technology, was curated by Beate Gegenwart and also includes pieces by other leading makers in this field, including;
Vanessa Cutler, Beate Gegenwart, Antje Illner, Geoffrey Mann, Jenny Smith, Cathy Treadaway and Jayne Wallace.

Craft in the Bay, The Flourish, Lloyd George Avenue, Cardiff, CF10 4QH
Sat 10 Sep 2011 - Sun 06 Nov 2011

http://www.makersguildinwales.org.uk/exhibitions/details/93-momentum
Monday, October 3, 2011 - 22:51
The 'newspaper' we created to accompany the BESPOKE exhibition is packed with articles about all aspects of the project, from many different perspectives and authors. It also contains a methodological 'blueprint', which seeks to break the project down into simple stages and describes the overarching activities undertaken in each. To accompany this we have also created a project 'timeline' with useful practical hints for others thinking of using 'insight journalism' as a method.

This publication is now available for free download on the BESPOKE project website:

http://www.bespokeproject.org/news-detail.php?s=47&id=69&catID=1

If you would like a paper based version, then contact Justin and he can post you a copy: justin.marshall@falmouth.ac.uk

Tuesday, September 6, 2011 - 22:19
BESPOKE: Insight Journalism as a catalyst for community innovation and engagement

Innovative design and journalism project BESPOKE will showcase a new method for community-led innovation as part of the London Design Festival this September.

Housed at the V&A Museum between September 17th and 23rd, BESPOKE - a multi-partner collaboration between a community in Preston and journalism, social science and design researchers – will explore how a new method of 'Insight Journalism' can be used for social innovation and engagement.

We will demonstrate, through a collection of bespoke digital responses and an interactive presentation, how grass-roots communities can express themselves and ensure that their voices are incorporated into innovative designs that further communication, democracy and information access.

The collection includes the Digital Buskers, which are digitally enabled statues that celebrate and promote local hip-hop music producers Dub P and Shaks, Viewpoint, a digital product that collects community points of view in response to questions posed by their councillors; and Wayfinder, a digital signpost that displays community events and turns to point where the events are happening, the Talking Memory Box, a crafted device that allows people to record stories and associate them with physical artefacts

Justin Marshall, Associate Professor of Digital Craft at University College Falmouth, said: “For me this project has opened up an exciting new space. A space where the digital capabilities for creating individualised products and services have been re-orientated away from the burgeoning market for unique personalised goods, towards crafting responses to wider, and I would argue, more important community focused issues.”

Jon Rogers, Senior Lecturer in Product Design at the University of Dundee, said: "All of these design prototypes act as demonstrators for how a future could look if we engaged with our communities better. It is the first test and the first showcase of how Insight Journalism, a radically new method of community engagement, has been researched, implemented and tested. While we present a method that has led to a collection of community design responses, we think this has potential for any responsive way of working with people.”

On Tuesday 20th September between 16.15 and 17.30, project members will also present their work at the Hockhauser Auditorium, Sackler Centre at the V&A. A range of perspectives will be represented, from a reflective overview of the project by two of the team members, through to the personal experiences of an ‘insight journalist’.

This a free event, but if you wish to book a ticket and guarantee a place, go to http://www.vam.ac.uk/whatson/event/1348/

The BESPOKE project has been funded by the RCUK as part of the Digital Economy Programme and is a collaborative project between five UK research institutions with Paul Egglestone (University of Central Lancaster), David Frohlich (The Digital World Research Centre, University of Surrey), Justin Marshall (Autonomatic, University College Falmouth), Patrick Olivier (Culture Lab, Newcastle University) and Jon Rogers (University of Dundee).
Wednesday, July 27, 2011 - 17:15

Dr Katie Bunnell, Tavs Jorgensen, Drummond Masterton
CraftCode is an exhibition of new craft work by members of Autonomatic with guest practitioner-researchers Gary Allson and Ismini Samanidou.
Exhibition starts, 11th September 2011

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